NOTATION
From theory to practice
Update log
LANGUAGES
THEORY & PRACTICE
WHY NOTATION?
DJEMBESOLO font system
THE BINARY LOGIC
THE TERNARY LOGIC
TRANSCRIPTION ACCURACY
CONCLUSION
The gap between theory and practice
QUARTER NOTE #1
QUARTER NOTE #2
QUARTER NOTE #3
QUARTER NOTE #4
EIGHTH NOTE #1
EIGHTH NOTE #2
EIGHTH NOTE #3
DOTTED EIGHTH NOTE #1
DOTTED EIGHTH NOTE #2
DOTTED EIGHTH NOTE #3
DOTTED EIGHTH NOTE #4
SIXTEENTH NOTE #1
SIXTEENTH NOTE #2
SIXTEENTH NOTE #3
SIXTEENTH NOTE #4
ONE BEAT LONG PATTERNS
ONE BEAT LONG PATTERN #1
ONE BEAT LONG PATTERN #2
ONE BEAT LONG PATTERN #3
ONE BEAT LONG PATTERN #4
DOUBLE NOTE TRIPLET
QUARTER NOTE TRIPLET
EIGHTH NOTE TRIPLET
(HALF) SEXTUPLET
DOTTED QUARTER NOTE #1
DOTTED QUARTER NOTE #2
DOTTED QUARTER NOTE #3
QUARTER NOTE #1
QUARTER NOTE #2
EIGHTH NOTE #1
EIGHTH NOTE #2
EIGHTH NOTE #3
ONE BEAT LONG PATTERNS
ONE BEAT LONG PATTERN #1
ONE BEAT LONG PATTERN #2
ONE BEAT LONG PATTERN #3
QUADRUPLET
EIGHTH NOTE DUPLET #1
EIGHTH NOTE DUPLET #2
(HALF) QUADRUPLET
Many Djembe players are reluctant to use western music notation. Here are clear and universal guidelines. With this course, you will take a step forward in your understanding of both rhythm writing and music.
Many Djembe players are reluctant to use western music notation. Here are clear and universal guidelines. With this course, you will take a step forward in your understanding of both rhythm writing and music.
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