5.0 /5
(2)

50
Update log
LANGUAGES
THEORY & PRACTICE
WHY NOTATION?
DJEMBESOLO font system
THE BINARY LOGIC
THE TERNARY LOGIC
TRANSCRIPTION ACCURACY
CONCLUSION
The gap between theory and practice
QUARTER NOTE #1
QUARTER NOTE #2
QUARTER NOTE #3
QUARTER NOTE #4
EIGHTH NOTE #1
EIGHTH NOTE #2
EIGHTH NOTE #3
DOTTED EIGHTH NOTE #1
DOTTED EIGHTH NOTE #2
DOTTED EIGHTH NOTE #3
DOTTED EIGHTH NOTE #4
SIXTEENTH NOTE #1
SIXTEENTH NOTE #2
SIXTEENTH NOTE #3
SIXTEENTH NOTE #4
ONE BEAT LONG PATTERNS
ONE BEAT LONG PATTERN #1
ONE BEAT LONG PATTERN #2
ONE BEAT LONG PATTERN #3
ONE BEAT LONG PATTERN #4
DOUBLE NOTE TRIPLET
QUARTER NOTE TRIPLET
EIGHTH NOTE TRIPLET
(HALF) SEXTUPLET
DOTTED QUARTER NOTE #1
DOTTED QUARTER NOTE #2
DOTTED QUARTER NOTE #3
QUARTER NOTE #1
QUARTER NOTE #2
EIGHTH NOTE #1
EIGHTH NOTE #2
EIGHTH NOTE #3
ONE BEAT LONG PATTERNS
ONE BEAT LONG PATTERN #1
ONE BEAT LONG PATTERN #2
ONE BEAT LONG PATTERN #3
QUADRUPLET
EIGHTH NOTE DUPLET #1
EIGHTH NOTE DUPLET #2
(HALF) QUADRUPLET

5.0 /5
(2)

  • Avatar
    Michel
    (5)
    A practical explanation of Western music notation

    Many Djembe players are reluctant to use western music notation. Here are clear and universal guidelines. With this course, you will take a step forward in your understanding of both rhythm writing and music.

  • Avatar
    hassen
    (5)
    Five Stars

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THIS IS HOW THEY FEEL ABOUT THIS COURSE
Testimonials
Michel Weelen
🇫🇷 France

Many Djembe players are reluctant to use western music notation. Here are clear and universal guidelines. With this course, you will take a step forward in your understanding of both rhythm writing and music.

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